Alexandra Oldaker

The objective of this font is to find the essence of our Latin alphabet and therefore the essence of every single glyph in it.

The search was lead by two principles: 1. What are the basic building blocks of each glyph? 2. Stripped back from any superfluous movements while writing, what shape would remain? The resulting design consists of merely straight lines and circles.

The basic elements of each glyph are accented by a gap.

BOSPHORUS The Bosphorus Turkish: stanbul Boaz, is a narrow, natural strait and an internationally significant waterway located in northwestern Turkey.

It forms part of the continental boundary between Europe and Asia, and separates Asian Turkey from European Turkey.

The worlds narrowest strait used for international navigation, the Bosporus connects the Black Sea with the Sea of Marmara, and, by extension via the Dardanelles, the Aegean and Mediterranean Seas.

More There is not much to say for Bosphorus. Font of my dreams. I can't wait to see the fantastic designs that designers will make with this font. I am sure Bosphorus will carry the designs of graphic designers to a new stage. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Optimized for web, tablet and smartphone applications. Also Bosphorus is a perfect screen display font. TECHNICAL: Bosphorus provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation Bosphorus 50 Normal 53 Regular forms the central point. The first figure of the number describes the stroke thickness: 51 Thin to 56 Black. 5 Width / 6 Weights and italics also Bosphorus total 60 types. The family contains a set of 530 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs.

You can enjoy using it.

Download Codec Cheat Sheets Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli.

Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm.

In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look.

In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling.

More Both Codec Cold and Codec Warm come with a wide range of glyphs for language coverage, including cyrillic and greek alphabets, and of open type features, including small caps, positional numerals and swash forms.

Codec typefaces also include over a hundred variant ligature and alternate glyphs.

These glyphs, usually available as discretionary ligatures, have been made permanently active in the two Codec Logo subfamilies, designed for display use and logo design, and thus available with a bolder weight range and tighter metrics.

Codec Logo Cold makes the cold geometry alive with funky ligatures, while Codec Logo Warm randomly stretches characters: both allow for quick, unexpected solutions in logo design and display type treatment.

Vocal is a sans serif type family designed by Ani Petrova. The family has 28 weights, ranging from Hairline to Heavy with matching Italics and Small Caps.

In addition, you get a nice alternate version of the Heavy weight with extra thin accents.

Which is a pure joy for setting titles. Vocal comes with extended coverage of the Latin, Greek and Cyrillic Script. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text.

The stems are a little tapered to the middle and the corners are cutted, wich makes them a little rounded in small sizes.

That gives the font an organic, warm and friendly touch. Vocal is equipped for complex, professional typography with Open Type Features including small caps, localized forms, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions.

The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage.

Vocal suits also ideal for book and editorial design.

Mosse is an extraordinary sans-serif typeface that designed for improve readability, formal but casual, with straight cut at terminal and reverse angled at spur and finial give a little bit sweet.

Mosse is simple and identical, come with nine weights allowed you to use the right weight to the right proportions.

Mosse also support many languages, thanks to extended latin glyphs. Mosse come with standard Adobe Latin 4 glyphs, world-ready and mark2mark support.

Mosse Thai is an extraordinary sans-serif typeface that designed for improve readability, formal but casual, with straight cut at terminal and reverse angled at spur and finial give a little bit sweet.

Mosse is simple and identical, come with nine weights allowed you to use the right weight to the right proportions.

Mosse Thai also support many languages, thanks to extended latin glyphs. Mosse Thai come with standard Adobe Latin 4 glyphs, world-ready and mark2mark support.