Alexandra Oldaker

Scanno is a modern sans serif typeface that comes in eight weights and one condensed. Each weight has an oblique. It is suitable for body, headline, and display text on screen or in print. Its open forms set a welcoming and friendly tone that renders well in all media. Scanno is a warm and modern typeface with a nostalgic hint of the early sans serifs.

It encapsulates both humanist and geometric qualities with a nostalgic hint of early sans serifs.

More Supported languages Western European; Danish, Dutch, English, Icelandic, Italian, German, Finnish, Flemish, French, Norwegian, Portuguese, Spanish, and Swedish.

Pan African Latin.

Zierde is a take on early advertising, small-copy grotesks of the late 19th/early 20th century, and is largely inspired by Miller & Richards own range of Grotesques.

More importantly, Zierde is accompanied by a large set of ornaments (+200) which hark back to the look-and-feel of the early-modernist arts and crafts movement.

The ornaments in, and presentation of, Zierde owe much credit to J.G Schelter & Gieseckes 1913 type specimen book Die Zierde. The strong functional uppercase sans-serifs alongside luscious, beautiful patterns in Die Zierde make for beautiful combinations.

This early-modernist use of grotesk alongside ornament looks bizarre in the eyes of us used to seeing sans-serifs in more formal, sterile settings.

The face itself retains some historical flourishes such as the eccentric leaning angle of the italics, the long cross-bar on the G, the gammy-leg of the R, a strange ampersand and some irregular terminals across the weights.

Zierde is display face meant for headlines, titles, short-copy, labels and logos.

It comes in caps and small caps, Latin and Cyrillic.

As long as uniqueness is the main goal among the type designers, our goal in this project was to be far away from that uniqueness, build it with typography standards & holding with the type axioms since the beginning appearance of modern typography.

After more than 600 hours of working on create, produce & release the whole typeface family.

MB Grotesk is a flawless branching from the Original Grotesque category characterized by its 351 standard glyphs structures, combined geometric rules with grotesque type theories.

More MB Grotesk has 7 weights & their italics. And it supports many languages, starts from Western European until the Eastern & Cyrillic.

Other than that we looking for extending that version to present you condensed, extended & Arabic versions as soon as possible.

Altum Sans is a new clean and contemporary typeface. The geometric and condensed letterforms are designed for use in larger texts and display applications.

With over 500 glyphs Altum Sans supports many languages as well as two different figure styles, interpolation breakpoints, subscript, superscript, contextual alternatives, ordinal indicators, fractions,.

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Roc is a sans serif grotesk inspired by American wood types from the end of the 19th century.

With nine weights in five widths, this family contains 45 fonts in total. The character set supports Western and Central European languages, as well as Turkish. More Roc Grotesk comes in a range of five widths: Compressed, Condensed, Normal, Wide and ExtraWide, in order to cover a wide scope of applications.

Although the styles at both ends of each range are made in their most pronounced form in terms of width and weight, they are not taken to such extremes as to become absurd, and are quite usable in display settings.

The Normal width keeps all its nine styles in proportionally similar widths. The Compressed width, however, is deliberately made to be disproportionate, so that every style takes the least possible horizontal space.

That is why the contrast between Compressed Thin and Compressed Heavy style is substantial.

As the weights progress from Thin to Heavy, the stroke contrast becomes more prominent.

It is intentionally exaggerated in heavier weights, which is particularly apparent in the uppercase E and R of the Black and Heavy style.

Roc has a large x-height and relatively short descenders and ascenders. No uppercase letter descends below the baseline, so the lines of an all-caps text can be packed tightly on a poster or a headline.

The Regular style is somewhat generously spaced, as it is most likely to be used for setting longer passages of text.

Its Bold counterpart is spaced in such a way that the width of the text column will be similar to the text set in Regular.

Tabular figures in these two styles have exact matching widths, so for example, you could emphasize one row of numbers in a data column without visually disrupting the vertical order of the table.

The lowercase g and r have alternatives to accommodate what most designers expect from a typical Grotesk typeface.

The single-story g and the cut-off r are accessible via the OpenType feature.

Bozon is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use.

More Bozon family consists of 10 weights with corresponding italic styles, that give total of 20 styles.

Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

NCT Torin is a friendly sans-serif font in 16 styles. It supports all major European languages, as well as Vietnamese, Greek, and Russian with additional Cyrillic support.

Includes many OpenType features for alternate numbers and letters, as shown in the poster images.