Alexandra Oldaker

Enough talk. Metcon is not here to talk. Its simply here to PUMP... YOU UP.

Spring has Sprung! The Fling has Flung and all that will be left after the inevitable Split is a fluttering in your heart, a blushful remembrance of lost love, an aching heart full of excitement and a strange sense of regret.

As you read and re-read Shakespeares sonnets to make sense of the swirling waters of your affectations, consider this font as the perfect headline for the Summer Blockbuster Romance youre sure to pen in the warm, wine-soaked evenings ahead of you.

Dirk is a strong, heavy slab serif meant for large, attention grabbing display use. Dirks design lives somewhere between a Clarendon wood type style and a more modern geometric slab serif.

It features the bracketed serifs, large x-height, and short ascenders/descenders of a Clarendon design, but drawn with the precision curves and smooth, sturdy structure of a geometric slab.

The result retains the charm of wood type, but sheds a lot of the over-familiarity and sameness of a digital revival.

Dirk is available in both a clean, Black weight as well as a Stencil version.

Each styles feature a full Western, Central, and South Eastern European character set.

Blautha versatile and contemporary sans serif typefacecomes in 8 weights, ranging from Thin to Black, with matching italics and contains a set of alternate characters.

Its small x-height gives it an elegant feel that reminds us of classic typefaces.

Blauth is well-suited to continuous text and its uppercase set is ideal for high-impact headlines while its softened corners give your designs a warm and contemporary look.

Point aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric Shapes) and careful design decisions, Point is a font that references the past as well as projects itself to the contemporaneity.

With a total of 10 weights, with respective hand adjusted obliques, Point has a total of 20 styles with Extended Latin support as well as Cyrillic, all with the most needed Opentype features, such as fractions, tabular and oldstyle figures, alternates, case sensitive forms, etc.

More Point has a superb versatility and can be used in almost every circumstance, try it for yourself and see what point Point makes.

Roc is a sans serif grotesk inspired by American wood types from the end of the 19th century.

With nine weights in five widths, this family contains 45 fonts in total. The character set supports Western and Central European languages, as well as Turkish. More Roc Grotesk comes in a range of five widths: Compressed, Condensed, Normal, Wide and ExtraWide, in order to cover a wide scope of applications.

Although the styles at both ends of each range are made in their most pronounced form in terms of width and weight, they are not taken to such extremes as to become absurd, and are quite usable in display settings.

The Normal width keeps all its nine styles in proportionally similar widths. The Compressed width, however, is deliberately made to be disproportionate, so that every style takes the least possible horizontal space.

That is why the contrast between Compressed Thin and Compressed Heavy style is substantial.

As the weights progress from Thin to Heavy, the stroke contrast becomes more prominent.

It is intentionally exaggerated in heavier weights, which is particularly apparent in the uppercase E and R of the Black and Heavy style.

Roc has a large x-height and relatively short descenders and ascenders. No uppercase letter descends below the baseline, so the lines of an all-caps text can be packed tightly on a poster or a headline.

The Regular style is somewhat generously spaced, as it is most likely to be used for setting longer passages of text.

Its Bold counterpart is spaced in such a way that the width of the text column will be similar to the text set in Regular.

Tabular figures in these two styles have exact matching widths, so for example, you could emphasize one row of numbers in a data column without visually disrupting the vertical order of the table.

The lowercase g and r have alternatives to accommodate what most designers expect from a typical Grotesk typeface.

The single-story g and the cut-off r are accessible via the OpenType feature.

Bozon is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use.

More Bozon family consists of 10 weights with corresponding italic styles, that give total of 20 styles.

Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.