Alexandra Oldaker

Qilla is a simple and elegant font for your projects. Can be used for various purposes such as headings, logos, wedding invitation, t-shirt, letterhead, signage, labels, posters, badges etc.

Qilla comes with two styles, upright and slanted version can be an alternative choice to suit your needs.

Quell is a novel attempt to bridge the gap between geometrically constructed shapes on the one hand, and modulated strokes and subtle calligraphic influence on the other hand.

The visual tension in Quell stems from conflict between two tendencies: The perfectly round shapes are geometrically constructed, yet the contrast of stroke widths and oblique line terminations suggest calligraphic roots.

How this dualism affects typographic impression is up to designers and typographers using Quell as variable font the seamless transition between modulated contrast and linear appearance offers unique typographic possibilities.

Linear appearance gives the text a solid and compelling voice, whereas the modulated styles convey elegance, vibrance and a delicate tone.

More Quell is suited to display setting, headlines, way finding and identity.

The combination of linear and contrast variants provides typographic range to convey different stance while rooted in the same visual heritage.

In short paragraph typesetting the fonts have a modern look and characterful tone, but should not be overused for longer texts.

Quell has been in development for over a year, and is the proud first release under the Underscore label.

Released in 2018 this design by Johannes Neumeier is available from the Underscore webshop as well as selected retailers.

Morning Rain Dot is handmade font with cute little dots. Its great for big and short titles. You can costumize it and make it look even cuter :)

The Genesa typeface is a condensed, rounded sans serif typeface with a contemporary styling ideal for editorial or branding design.

With its 4 weights and accompanying italics, this family can be used for large titles or display settings but is equally legible in small sizes for longer passages of text.

Genesa combines a strong, vertical constructed style with a softer rounded approach that adds a humanist flavour.

This typeface covers multiple languages through an extensive character set and a wide range of Opentype features that allow various character or numeral choices.

A set of over 60 pictograms and arrows are equally features and through their carrying weights, can also be combined seamlessly with any style of the family.

Pial fonts Family includes: Pial Regular that is totally hand-designed, casual and youthful, with lines that sometimes swell extremely, contain 546 glyphs with many stylistic variations, swashes and ligatures.

Pial Sans Regular and Expanded, also hand-designed, and Pial Serif Regular and Condensed to add a little seriousness.

We have added also, a font of ornaments, extras and catchwords in the family.

Using this font you will achieve a very elegant and warm work. Pial Family is very versatile and ideal for logotype design, magazines and book covers, childrens material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Blautha versatile and contemporary sans serif typefacecomes in 8 weights, ranging from Thin to Black, with matching italics and contains a set of alternate characters.

Its small x-height gives it an elegant feel that reminds us of classic typefaces.

Blauth is well-suited to continuous text and its uppercase set is ideal for high-impact headlines while its softened corners give your designs a warm and contemporary look.

Lu Nolasco, also known as Lunol, is a fresh representative of a new generation of Souther American lettering artists.

She was born in Lima, Peru. After learning from some of the regions best teachers and exploring the pointed nib on her own, she became a prolific lettering workshop instructor herself.

More Miraflores is one of Limas main tourist attractions. An upscale district with a great window on the Pacific ocean, it is the place where Lu looks for inspiration.

It particularly inspired this Looking flowers (Miranda las flores), Lunols first typeface, designed in collaboration with Ale Paul.

It is a comprehensive informal script that comes with many alternates, swashes and ligatures, along with small cap and quite a few ornaments.

The fonts cover an expansive range of Latin languages, and are intended for use in stationery, menus, packaging, and general design where the main objective is to relay a sense of fun, playfulness and sensibility.

Wak is a lively calligraphy-based sans serif. The simplicity and smoothness of its forms is combined with the sharpness and suddenness of the details.

There are six weights from light to extra bold, with a variety of alternative signs, additional ligatures and initial and final forms with swashes.

Lowercase letters repeat the uppercase pattern. The font is intended for short inscriptions and texts and is adapted for use on the screen.

Wak was designed by Viktor Fitzner, character set expanded by Alexander Lubovenko.

The font was released by ParaType in 2018.

Hope Sans takes the jaunty style of 1950s and 60s lettering and melds it with the jubilant 1970s swashes of Bookman.

The result is a sans serif family that is lively, inviting and deeply customizable.

Its basic sans serif forms create engaging text, while a roaring collection of swash designs, alternate characters and ligatures make it a natural for attention-grabbing display typography.

More The middle weights of the family are easy on the eyes and shine at smaller sizes and in blocks of text copy.

Their friendly vibe also translates well to web and interactive design projects.

Spacing is open, counters are large and Hope Sans range of six weights can provide just the right design for virtually any need.

Headlines, subheads, banners and navigational links are naturals for its lightest and boldest weights either with, or without, the swash letters.

Hope Sans is a paint box, says its designer, Charles Nix. In its basic form, its a sturdy grotesque, capable of setting text in a cool and relaxed way.

But a bit of accenting with the alternate forms easily creates an entirely different mood and meaning.

And for those that are willing to really mix with it, the variety of alternate characters can build truly unique typographic statements.

VAG Rounded Next brings a classic 1970s typeface up to date, keeping all of its easy going, approachable personality but adding some much-needed versatility and language support.

Originally commissioned by Volkswagen, VAG Rounded remained in use by the company until the early 90s and has also been used by Apple, Skype and Myspace.

Its enduring appeal lies in its appealingly rounded terminals, and its immediate, informal tone of voice.

More When you look at the Volkswagen Beetle it has these curves that are timeless and legendary, says Steve Matteson, who led the creation of VAG Rounded Next.

I think thats what stands out in this design that friendly aesthetic, and the simple line and circle.

This new version offers 700 glyphs with pan European language support (including Greek and Cyrllic), as well as 10 weights of upright and italic styles.

New display weights Shine and Rough which create chocolate popsicle and rust effects are begging to be used in branding, packaging and editorial projects, while the lighter weights are well suited for text.

NCT Torin is a friendly sans-serif font in 16 styles. It supports all major European languages, as well as Vietnamese, Greek, and Russian with additional Cyrillic support.

Includes many OpenType features for alternate numbers and letters, as shown in the poster images.