Alexandra Oldaker

Cheddar Gothic Rough is a hand-drawn, textured display font with regular and italic styles. An all-caps, sans serif typeface with condensed proportions that works great for a variety of display uses.

The uppercase characters add distinction with extended crossbars and chiseled terminals, while the lowercase provides a more classic sans serif appearance.

Carefully drawn for quality and readability, but still rough enough to exhibit the handmade details.

Cheddar Gothic Rough is great for display, branding, packaging, advertising, food, sports, titles, and more.

More This font has extensive Latin language support for Western, Central, and South Eastern European.

This font is the textured version of the Sans family within the larger Cheddar Gothic font family (which includes Sans, Serif, Slab, and Stencil styles).

Quell is a novel attempt to bridge the gap between geometrically constructed shapes on the one hand, and modulated strokes and subtle calligraphic influence on the other hand.

The visual tension in Quell stems from conflict between two tendencies: The perfectly round shapes are geometrically constructed, yet the contrast of stroke widths and oblique line terminations suggest calligraphic roots.

How this dualism affects typographic impression is up to designers and typographers using Quell as variable font the seamless transition between modulated contrast and linear appearance offers unique typographic possibilities.

Linear appearance gives the text a solid and compelling voice, whereas the modulated styles convey elegance, vibrance and a delicate tone.

More Quell is suited to display setting, headlines, way finding and identity.

The combination of linear and contrast variants provides typographic range to convey different stance while rooted in the same visual heritage.

In short paragraph typesetting the fonts have a modern look and characterful tone, but should not be overused for longer texts.

Quell has been in development for over a year, and is the proud first release under the Underscore label.

Released in 2018 this design by Johannes Neumeier is available from the Underscore webshop as well as selected retailers.

Marlon Pro is a soft sans serif font family characterized by its contemporary aspect and its warm touch.

It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled gures, pro kerning.

..It comes with a complete range of gure set options oldstyle and lining gures, each in tabular and proportional widths.

It comes in 9 weights with corresponding italics and its suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding.

As a modern sans serif font family, Marlon Pro Sans has true italics to give more style in long texts.

It has also an extended character set to support Central and Eastern European as well as Western European languages.

Kapra Neue Pro is a younger sister of Kapra Neue he was the #1 bestselling Grotesque Sans released in 2017 on MyFonts and grandson of Kapra.

Now you really have a lot of options to choose! New family is full of everything 96 weights contain a wide range of instances, from Condensed to Expanded, everything with rounded corners or with sharp ones.

Now, font has also: small caps, cyrillic script, and old-style figures. Kapra Neue Pro is inspired by a You And Me Monthly magazine, published by National Magazines Publisher RSW "Prasa in Poland, from May 1960 till December 1973.

Stevia is a font family designed by Carlos Fabian Camargo Guerrero. Stevia is a sweet font family created to design logos, cards, posters, book covers, blogs, packaging, walls, etc.

Stevia is useful to differentiate your designs and stimulate your imagination through 5 fonts drawn with an apparent handmade lettering look.

Stevia dingbats has more than 250 special monolineal icons to accompany Stevia Script Black (600 glyphs), Stevia Script Light (470 glyphs), Stevia Subtitles Bold (300 glyphs) and Stevia Subtitles Light (300 glyphs) in quotes, legends and short writings.

Thats why you'll get a lot of alternative letters in uppercase, lowercase and opentype numbers as well as ligatures and flourishes ideal for beginning, middle and end of word.

In summary Stevia is great for communicating naturalness and freshness in designs that need to be outside conventional typographic norms.