Showing posts with label metal. Show all posts
Showing posts with label metal. Show all posts

Download DIN Next Decorative Fonts by Monotype

Download  DIN Next Decorative Fonts by Monotype
Download  DIN Next Decorative Fonts by Monotype Download  DIN Next Decorative Fonts by Monotype Download  DIN Next Decorative Fonts by Monotype



This four-piece family is the DIN design, but not as you know it. The famously, crisp, clean and precise typeface has been given a textured update thats reminiscent of rusted metal, or rubber stamps.

Underneath this lies the same sturdy, geometric shapes that have allowed DIN to stand the test of time, but with a new sense of tangibility.

This kind of treatment is more about creating a feeling or a mood that goes beyond the communication of the words themselves, explains Monotype Studio director Tom Rickner.

I think it expands the repertoire of what DIN Next can express. More Designed for display, these four typefaces DIN Next Rust, DIN Next Shadow, DIN Next Slab Rust and DIN Next Stencil Rust show a new side of DIN Nexts personality, as if the surface of each letterform has been gradually worn away over the years.



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Download P22 Folkwang Pro™ Fonts by IHOF

Download P22 Folkwang Pro™ Fonts by IHOF
Download P22 Folkwang Pro™ Fonts by IHOF Download P22 Folkwang Pro™ Fonts by IHOF Download P22 Folkwang Pro™ Fonts by IHOF



Folkwang is an unusual roman type with a lowercase that resembles an upright italic. Unusual top serifs are contrasted by almost no foot serifs. Originally released by the Klingspor foundry in 1955, this face originated from Hermann Schardt while he was the director of the Folkwang Werkkunstschule in Essen Germany circa 1949.

According to British book designer and printing historian John Dreyfus in the 1955 Penrose Annual: Folkwang is a lovingly made piece of work which could have easily have been little more than an act of awe-struck reverence for the calligraphic techniques rediscovered by Edward Johnston and spread abroad in Germany by Anna Simons.

Of special interest is the serif treatment of the lower-case letters: at the feet the terminals are mostly left bare, but the ascenders and the cross-strokes of the f and t are given elaborate curving serifs which in the mass create an effect unusual in a page of letters made as movable types, resembling rather more a piece of intaglio engraving.

The ligatures ch and ck are original and successful.


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