Alexandra Oldaker

ZILETTI POP is a font used by Girolamo Ziletti in Venice in mid/late 1500. A typographic caracter characterized by a Venetian style cage with slight geometrical imperfections but with a great perceptual level.

This is a multilayered variant with a wide range of possibility in variations in terms of end results.

With the use of the color your artworks will have news optical effects. Ideal for Covers, Posters, Logos

Inspired by the elegance of Herman Zapfs designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice.

The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing.

A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out.

More It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

Time to EMbrace the new EMerging typeface from WiltonFoundry : EM consisting of EM Regular, EM Italic, EM Bold, EM Bold Italic.

Loosely based on our very popular Cyan typeface, EM is EMphatically the most distinctive and modern typeface weve created yet.

Slight variations between thick and thin with stenciled effects, and Flared stem EMphasis for character.

Go getEM!!

Canilari is a post-modern type family inspired by Diaguita pottery and contemporary serif typefaces.

The Diaguita culturedeveloped from 10th century A.D. until 16th century A.D.settled in the area of the present-day north Chile and northwest Argentina. Surviving cultural expressions of the Diaguita people are reduced to just a few pieces of beautifully decorated pottery of high technical quality.

More Canilari itself is a scream of identity with an incomparable tone that borrows elements from native America and proudly show them to the world.

The intense and consistent personality of Canilari makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines.

Canilari is well-suited for publishing: newspapers, magazines, books, etc. Its flashy look and angular shapes also make it an excellent choice for posters, logotypes, and advertising.

The family consists of 2 sets: one standard and one pro, each in 4 weights plus italics.

Canilari also includes a set of ornaments and illuminated caps. Together, the Std set (369 characters) and Pro (710 characters) support 219 different languages.

This typeface was selected at the Bienal Tipos Latinos 2014.

Couture Sans is a Sans Serif with moderate stroke contrast.

Squalo, the genesis The idea of this new project called Squalo bumped into my mind when when I was working up with excitement to my sketches, chasing for a strong typographical character, that for me has to be crystallized in a form which is always legible and functional.

The concept. The concept of Squalo raises from the observation of athletes bodies: you can notice that even if they are all thin, they all show at the same time strong, cut and chiselled figures.

The sport they play molds and modify their bodies. Just think, for instance, to a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster.

Every single part is there to give strongness and speed like in a squalo (shark in italian).

Neither as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you can notice that the width of the typeface is slightly more condensed than that one of a regular typography sans serif.

This helped to strengthen the concept of stylized typography. On the other hand, the tip ends of the characters A, V, W, Z, v, w, z, create a feeling of tension, reinforcing the concept of shark, danger, caution, as well agile movements.

pure strength. I wanted to recall the exact moment of the kickstart in a 100 meters race: when the sprinter spreads all his powerful energy.

The italic version, starting from the former two typographical concepts (that is condensation and tension) emphasizes them.

First of all, I compressed the characters 10 percent more, and slanted it 10 degrees to the right.

With this movement I intended to convey the gorgeous feeling of tension in power and rapidity.

The typeface has 9 weights, from hair to black, and two versions, regular and italic.

There are 18 source files that contain small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more.

Squalo is an ideal typeface that I recommend to use in marketing campaigns, in design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporative projects, web texts, and graphic design in motion.

Squalo supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwichin, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotck (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Mori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Tyrium is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and the ideal logo! Whats include: - Tyrium (.

ttf & .otf) Includes opentype features. - Splatters (.ttf & .otf) Perfectly combine with Tyrium to create cool - typography or logo design. - Includes a range of multilingual support.

Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif.

With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive.

Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners.

This particular weight is meant for display settings, think full-page magazine titles or posters.

More Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity.

Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.

Nautis is a distinct display monospace typeface. The Nautis name is derived from the Greek nautikos meaning naval. Nautis is great for fashion, events, branding, military, navy, nautical, shipping and suited for display work, invitations, writing, architecture, posters, logos and headings.

Nautis is currently available with Latin, Cyrillic, Hebrew and Greek character sets.

An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches.

With its generous spacing and leading, Argent is very readable in extended text settings, appearing warm and readable.

The wide range of weights, from thin to heavy, provide all the necessary options for headline and text, the basis of any comprehensive design system.

Perfect for brochures and magazines.

Just like Grandmas recipe, Recoleta combines a variety of ingredientsfrom various popular 1970s typefacessuch as the soft and gentle shapes found in Cooper or fluid, angled strokes in Windsor mixed into one single design that features familiar yet fresh, modern flavors.

Its variety of weights provides a range of choices that will help you find the best typographic color for your project.

Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines.

The available stylistic alternates offer a number of different characters that give your logo or business card a unique look.

Looking at some specimen books of printing types of late nineteenth century, I found many ornamented capitals for headings among the typefaces.

Most of them showed a flourish like a tuscan serif - a characteristic trait of a peculiar capital lettering made with brush.

Dress is the result of the mash up between that influence and the Didone style - perfect for display.

To decorate, to adorn, to dress a design piece is the intention of this family, adapted to the twenty-first century.

The font should embellish book covers, publications, packagings, movie posters, greeting cards, stationery, among other uses.

Additionally, Dress matches very well with Limon Script. More Started up by the authors hand, Dress is a professional work, accurate, well spaced, with ligatures and alternates for uppercases, initials, endings and figures.

Each variable contains more than 1200 glyphs with plenty of OpenType features and extensive Western, Central and Eastern European language support.

The characters of the shades, inlines and outlines were not automatically made.

Instead, they were drawn one by one in order to take care of every detail, even the change of pressure of the hairlines.

The main member of this family is the Base font which can be used alone or decorated with the layers: Shade One or Shade Two, Inline One or Inline Two and Outline.

In this way, experienced designers will create their own combinations. On the other hand, there are multi-layered fonts that make Dress easier to use: Dress Combo One to Five.

Additionally, Dress Deco adorns the beginning and the ending of the words (1) while the Ornaments decorates the whole design.

The family package contains all this thirteen options. Lets Dress your work! (1) Take a look at the Instructions on the Gallery Section.

Point aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric Shapes) and careful design decisions, Point is a font that references the past as well as projects itself to the contemporaneity.

With a total of 10 weights, with respective hand adjusted obliques, Point has a total of 20 styles with Extended Latin support as well as Cyrillic, all with the most needed Opentype features, such as fractions, tabular and oldstyle figures, alternates, case sensitive forms, etc.

More Point has a superb versatility and can be used in almost every circumstance, try it for yourself and see what point Point makes.