Download Glatt Fonts by W Foundry

Download Glatt Fonts by W Foundry
Download Glatt Fonts by W Foundry Download Glatt Fonts by W Foundry Download Glatt Fonts by W Foundry



Glatt the sequel of Platz Groteske is a typeface with the personality and the aesthetics of the neo-grotesque, however a slight touch of freshness and organic stand out this typeface; perfectly suited for any kind of work related to visual communication.

Glatts alternatives version includes diverse characters, Open Type functions, as well a, small caps, both lining and old style figures, and a fun shadowed version for headlines and display compositions.

Special acknowledgments to Ale Navarro, Raúl Meza, Rodrigo RodrigoTypo Araya, Valentina Pino and the whole W Foundry crew for the gestation of this project.



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Download Black Cluster Fonts by Hanoded

Download Black Cluster Fonts by Hanoded
Download Black Cluster Fonts by Hanoded Download Black Cluster Fonts by Hanoded Download Black Cluster Fonts by Hanoded



First things first: I am really not a Star Trek fan. I did come up with this name, which I thought had a good ring to it. When I checked whether the name was already taken, I found out that Black Cluster is a term from Star Trek.

Now you want to know what a Black Cluster is, so just check out poster 2 and read all about it.

For me, Black Cluster is a handmade ink font, with a lot of jumping glyphs, a lot of diacritics and a handful of ligatures.

It may be rough, but you will be pleasantly surprised by what it can do to a design! May the font be with you.

Oh, no, that was from Star Wars


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Download Vtg Stencil Italy No2 Fonts by astype

Download Vtg Stencil Italy No2 Fonts by astype
Download Vtg Stencil Italy No2 Fonts by astype Download Vtg Stencil Italy No2 Fonts by astype Download Vtg Stencil Italy No2 Fonts by astype



The Vtg Stencil fonts from astype are based on real world stencils from several countries.

The Italian stencils that I chose as a model for this font are roughly based on classic French stencil letters – please compare the figures (numbers) with their French counterparts.

However, the Italian stencils are made with a different production technique. The design of the letters is clearly not punch-cut into the plates – maybe they are drilled, milled or etched.

Details such as the serifs look bold and clumsy, and when using the stencils as they are meant, with viscous sign paint, smaller details easily fade away.

More So I took my freedom to design a font close to the original design but adding several typographic tweaks to let it shine, hoping to get closer to the intended design idea of these Italian stencils.

Enjoy the vintage!


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Download Argent Fonts by Device

Download Argent Fonts by Device
Download Argent Fonts by Device Download Argent Fonts by Device Download Argent Fonts by Device



An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches.

With its generous spacing and leading, Argent is very readable in extended text settings, appearing warm and readable.

The wide range of weights, from thin to heavy, provide all the necessary options for headline and text, the basis of any comprehensive design system.

Perfect for brochures and magazines.


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Download Craska Fonts by Device

Download Craska Fonts by Device
Download Craska Fonts by Device Download Craska Fonts by Device Download Craska Fonts by Device



A bold and arresting geometric font built from parallel stripes. Most effective in short headings or logos at larger, display sizes.


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