Alexandra Oldaker

Here is a new typeface JEUNES. Script font with alternates and some ligatures.

Aliment is a classic sans-serif typeface. Its sharp and geometrical shapes gives any design project a timeless, confident style. Created by Måns Grebäck during 2017-2018, this high-quality typeface family contains five weights: Aliment Thin, Aliment Light, Aliment Medium, Aliment Bold and Aliment Black It contains all symbols and punctuation you'll ever need.

The font also has support for all major European and Latin-based languages.

As long as uniqueness is the main goal among the type designers, our goal in this project was to be far away from that uniqueness, build it with typography standards & holding with the type axioms since the beginning appearance of modern typography.

After more than 600 hours of working on create, produce & release the whole typeface family.

MB Grotesk is a flawless branching from the Original Grotesque category characterized by its 351 standard glyphs structures, combined geometric rules with grotesque type theories.

More MB Grotesk has 7 weights & their italics. And it supports many languages, starts from Western European until the Eastern & Cyrillic.

Other than that we looking for extending that version to present you condensed, extended & Arabic versions as soon as possible.

Squalo, the genesis The idea of this new project called Squalo bumped into my mind when when I was working up with excitement to my sketches, chasing for a strong typographical character, that for me has to be crystallized in a form which is always legible and functional.

The concept. The concept of Squalo raises from the observation of athletes bodies: you can notice that even if they are all thin, they all show at the same time strong, cut and chiselled figures.

The sport they play molds and modify their bodies. Just think, for instance, to a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster.

Every single part is there to give strongness and speed like in a squalo (shark in italian).

Neither as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you can notice that the width of the typeface is slightly more condensed than that one of a regular typography sans serif.

This helped to strengthen the concept of stylized typography. On the other hand, the tip ends of the characters A, V, W, Z, v, w, z, create a feeling of tension, reinforcing the concept of shark, danger, caution, as well agile movements.

pure strength. I wanted to recall the exact moment of the kickstart in a 100 meters race: when the sprinter spreads all his powerful energy.

The italic version, starting from the former two typographical concepts (that is condensation and tension) emphasizes them.

First of all, I compressed the characters 10 percent more, and slanted it 10 degrees to the right.

With this movement I intended to convey the gorgeous feeling of tension in power and rapidity.

The typeface has 9 weights, from hair to black, and two versions, regular and italic.

There are 18 source files that contain small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more.

Squalo is an ideal typeface that I recommend to use in marketing campaigns, in design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporative projects, web texts, and graphic design in motion.

Squalo supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwichin, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotck (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Mori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni